J.S. Fields

Author & Scientist

Review: An Accident of Stars by Foz Meadows

Genre: fantasy – portal fantasy

Pairings: f/f

Queer Representation: pansexual, cis lesbian, cis gay, aromantic, agender, trans

Warnings: none

Review

Saffron Coulter, a mild-mannered but angry sixteen year old girl from Earth, has had enough. Between the sexual harassment from the boys at her school to the uncaring faculty, Saffron’s biggest wish is that someone would just stand up to all the BS. Someone other than her, that is.

During a particularly nasty encounter with a schoolboy, Saffron is saved by the unknown Gwen, a woman with a mysterious past. Saffron ends up following Gwen to a more secluded area of the school–mostly to thank her–when a portal opens. And Saffron, being done with boys and high school and Earth, hops right in.

What follows is a twisting, engaging if not sometimes confusing, adventure through Kena–a magic using world teetering on the brink of war. Gwen, the worldwalker Saffron followed through the portal, must bring her up to speed on a very complex social hierarchy and several religions lest Saffron get herself killed through simply existing. As happens in these types of books, Saffron soon becomes ensconced in the war and ends up a key player in the final battles.

Format

I have mixed feelings about this book. The beginning is strong, and Saffron a sympathetic protagonist. Her motivations for going through the portal make a lot of sense and her first day or so on Kena has a lot of strong action. The setting is delivered well, the secondary characters are charming and delightful and cruel, and enough tropes are employed to help the reader feel comfortable in the world before they have a lot of information.

Where I struggled was with the swapping third to omniscient voice and the number of characters who got to wield either or both.

In some places, the POV switch is indicated by a line gap. In some the head hopping happens simply between normal paragraphs. There never seemed to be a reason for why narration changed, and it didn’t seem to follow the character with the most agency or interesting happenings, either. Due to the sheer volume of characters that were allowed a POV, I soon lost interest in a sizable section of the world.

The amount of time spent in Saffron’s head is excellent, and helped pull my interest back in every time she was on page. However, the extensive worldbuilding and political mechanics were beyond the scope of one book or at least, beyond the scope of Saffron’s understanding and therefore also beyond the reader’s.

Because I was so invested in Saffron and Zech (a younger girl who ends up in a sort of mind-meld with Saffron) I persisted through the book. The back third was mostly delightful, and the action, especially when the group hit the queen council and Zech and Saffron had to go through trials, was by far the best part. The final battle as well was very well done and the book had a fantastic, melancholy-but-still-happy ending.

It is saying something, however, that I skimmed pages and pages of this book, and almost the entire princess storyline (after her introduction, when it was clear she would only be annoying) and still felt like I didn’t miss anything. The ending made perfect sense and the final battle was still very compelling. As AN ACCIDENT OF STARS skims close to high fantasy, I wonder if it wasn’t shooting for world-as-character levels of description, and just fell a bit short.

Some excellent parts

I enjoyed that Saffron is Australian, which isn’t a POV I get to see a lot of in mainstream fiction. The racism of the teachers and Saffron’s own internal racism are addressed on page, and that was wonderful. I’m not sure I’ve ever read a fantasy that called out the implicit bias of its characters so directly:

“Not seeing Viya as a queen because she’s not white is racist,” she whispered into the pillow. “I’m being racist.”

British racism was also touched upon:

She didn’t say, ‘the police wouldn’t look for me when I vanished, because they didn’t think a missing black woman mattered.’ She didn’t say, ‘my parents convinced themselves I’d run off with a boy I was too ashamed to bring home, and when I came back, the second thing they asked was if I’d had an abortion.’

The trans rep was also fantastic, which isn’t surprising since the author is genderqueer. The ‘alikrevaya’ (trans) are seen as a natural variance and allowed to declare themselves however they wish. The worldbuilding of a culture of trans acceptance was so seamless that it actually took me a few pages to realize what the author was talking about. Also, they have sex-affirmation magic. Fantastic.

“It means she was born with her body and spirit in conflict, so the priests of Kara used the sevikmet to reshape her.”

“Bodies are bodies, and hearts are hearts. The priestess hood admits women only, though flesh plays no role in such determinations;”

Overall, AN ACCIDENT OF STARS is strong portal fantasy with solid queer rep and a sweet f/f line. The action scenes in particular stand out, although the book would have benefitted from some tighter 3rd limited.

To go through your own portal to Kena, buy the book here in print and here in ebook.

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Review: The Wrong Stars by Tim Pratt

Genre: sci fi (space opera)

Pairings: f/f

Queer Representation: gay, bisexual, pansexual, transgender, nonbinary, asexual, aromantic

Warnings: none

Rating: 5 stars

 

Review

Callie, captain of the salvage ship White Raven, stumbles upon a derelict ‘Goldilocks’ ship–one of many vessels sent out of the solar system some 500 years ago in the hope of finding new worlds to seed. The one remaining passenger (in cryosleep of course) awakes with tales of aliens, and not the kind humanity has been interacting with for the past 300 years.

What follows is fast paced, seductive tale of two women whose worlds collide in all the right ways at all the right times as they unravel a galaxy-wide conspiracy about some unruly ‘gods’ and their plans for the universe. If this sounds a lot like the overarching plot to ARDULUM, you’re not wrong, but the books are actually really different in execution.

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OMG. Just… OMG. I’ve had a lot of good books come through my TBR pile in the last few days but this one just blew me away. The ‘just on the right side of the law but okay with going over the line’ crew, the hot tension between Callie and Elena who have a bit of an age and power differential (but not enough to be squicky), the quirky crew, the tech, the creep AF aliens, it all worked so well together. Space lesbians at their finest, with a great plot to boot.

The queer representation too, is top notch, hitting most every end of the spectrum (and naming almost every iteration on page). Trans characters, on-page bisexuals whose histories are not erased or minimized, nonbinary characters with nonbinary pronouns, all seamlessly integrated. The book also misses the binary gender trap so many space operas fall into, and the aliens have multiple genders, sexualities, and ways of reproducing (I think at one point the book says the Liars have seven sexes). It’s really neat, too, that the humans don’t really understand their genders or reproduction, so despite being heavily complex, Callie’s max understanding of the Liars is:

“His” wasn’t really accurate–Liars didn’t exactly fir into human gender categories, and when it came to biological sex, Liars either reproduced asexually or had multiple sexes or cloned themselves, depending on which group you were talking about…

The banter, in particular, was very well done (pg 23 of the print version being an excellent example). The aliens are both familiar yet creepy and very well fleshed out. The brain spiders are suitably terrifying, the plan for galactic domination both deliciously evil yet somewhat understandable, and the ending satisfying while still leaving room for sequels. Every explosion makes you whoop with excitement and every plot twist leaves you bug eyed and frantically turning the page.

Hands down, I would put THE WRONG STARS in my top three books I read this year, right next to STARLESS by Jacqueline Carey and BARBARY STATION by R.E. Stearns. I bought the sequel immediately after finishing book 1.

You can buy this delicious space lesbian adventure (complete with sexual tension and discussion of ‘straps’) on ebook here, paperback here, and audiobook here.

To read the review for the sequel, THE DREAMING STARS, click here.

 

Review: Translucid by Zen DiPietro

Genre: science fiction (space opera/military)

Pairings: female/female

Queer Representation: bisexual, pansexual, lesbian

Warnings: none

 

 

Review

Emé wakes up on a space station with no memory of who she is, but a complete memory of her job as a security chief. With every part of what makes her her missing, Emé must learn to trust those around her while she pieces her life back together. It turns out, however, that the person she was before was a liar–a good one–and Emé must unravel not only her personal identity, but determine why she lead a second life on Dragonfire station…with a wife who was originally her ‘mark.’

General

Heeeey it’s space lesbians! My favorite trope! The book started off strong, with a great hook chapter with Em waking up without her self-memory but a great technical memory… and then having to go home with a wife she does not remember. Em also discovers she has some uncanny fighting skills that she’s been hiding from the entire station. There’s great tension, the pacing is reasonable, and the interaction between Em and her wife is fantastic. The only time the pacing drops is in the final third of the book, when Em leaves Dragonfire station to find her missing Black Ops friends. Even then it doesn’t drop so much as it changes. The book goes from a sweet space opera directly into military sci fi, which was a little jarring. It was almost like two books smashed into one without much transition, leaving me to wonder if the rest of the books in this (extensive) series skew to the space opera side, or the military sci fi side.

 

Writing

This is one of those times were the narrative carried the book despite its flaws. The writing could have been much cleaner and direct, and there were numerous instances of timeline conflicts (pg 89, for instance, when Wren tells Em that a friend will be visiting for dinner that night, only to have Wren and Em watch a movie and go to bed because the friend actually isn’t coming over until the next night). The editorial work on this book was not tight, but it was easy to forgive amongst the intrigue of Em’s identity and the richness of the station.

 

Characters

I was instantly involved with Em. Her lost memory and the issues surrounding her wife and living situation created strong conflict from the first page and drove the book the entire time Em was on the station. Wren, her wife, was three-dimensional despite having very little page time. There was a menagerie of secondary station characters, all of whom were fleshed out and had distinct personalities. A number of cultures were very well described as well, giving a 270 page book surprising depth.

The members of the Black Ops team were less compelling, likely because they were introduced late in the book and had little screen time. It was hard to make the transition between Em’s daily station life and her Black Ops life, especially after she left the station. I think I needed more investment in the three other ops characters before I could get on board with the story line moving in their direction. One of the main factors keeping me from picking up the next book, in fact, is the uncertainty of whether it would continue the military side with Em’s operative friends, or whether it would drive Em back to the station and her interpersonal relationships there.

In the end, TRANSLUCID is a strong addition to the lesbians in space genre. Those interested in space opera and its intersection with military science fiction will enjoy this book. Those looking for straight space opera may want to look elsewhere.

You can buy TRANSLUCID in ebook here and paperback here.

As an addendum, since purchasing this book the cover has been updated. The cover in this post is the old cover, which I adore. The new cover is…decidedly not as nice.

 

 

Review: Barbary Station by R.E. Stearns

Genre: science fiction – military / space opera (somewhere in-between)

Pairings: lesbian, pansexual

Queer Representation: cis lesbian, pansexuality, nonbinary (nonspecific variety)

Warnings: touch of gore, nothing too unusual though

Rating: 5 stars

 

Review

Recent college graduates Adda and Iridian are wracked with debt and a deep desire for adventure. An engineering degree won’t pay the bills but piracy might–assuming they survive several killer AIs and a dilapidated station threatening to crumble at a moment’s notice.

Plot

Solid plot on this book, despite a somewhat rocky start. I was never really sold on Adda and Iridian’s reason for choosing piracy over a job (aside from the stock rationale of not wanting to be in crippling debt–like, I don’t want to be in debt either but piracy never really crossed my mind), but it does make for a good book starter. The commandeering of the first ship to get to Barbary Station, the home of the pirates, went on a bit long but once the couple was on the station proper, the book really found its pacing.

There was a constant tension from their arrival at the station through to the end, good plot twists, and enough real science to make the twists really land. In fact, the book would have been fine with a bit more science in it, especially on the microbial side with the biological weapons. Tell me more about the Pseudomonas-like bacteria!

I also really enjoyed the depth of the story. There are multiple ‘threats’ to the station at any given time, and actions of various political bodies and a group of refugees living amongst the pirates further muddies the waters. A lot of good interaction comes from the various factions of people living on the station. Some are the original crew of Barbary, some are the pirates, some the refugees, and still others parts of rescue and extraction crews. Each group of people has their own set of motivations, although all are working towards a common goal of getting off the station and away from the killer AIs. Adda and Iridian, of course, are the only two with skills to really get control (see, those engineering degrees are useful!), which pushes them into the center of almost every conflict.

 

Characters

Although we are given a huge array of characters (which did bother me at first), it does help to give names to the bodies when the AI really goes off the rails. Most of the secondary characters were very three-dimensional, and Adda and Iridian were compelling protagonists. We spent enough time with each of the secondary and tertiary characters that their deaths really helped drive the narrative. Even the AIs were compelling characters, and once we got into the meat of the story, my empathy for their sentience had me rooting for both ‘sides’.

 

Nonbinary Rep

I’m assuming this book was in my TBR pile because, hello, lesbian space pirates! I was surprised, therefore, to find that the pirate captain was nonbinary, and a well developed character at that! The attention the author paid to nonbinary genders in this book was excellent, and passages such as the one below had me squealing in joy.

 

Boyfriend? Girlfriend? Nope, zefriend!

If ‘lesbians in space’ is your thing, this book is a must buy. Bonus, the next book in the series is up for preorder on Amazon (and yes, I’ve already preordered).

You can buy BARBARY STATION in ebook here, paperback here, and hardback here. It’s available in audiobook from Audible.

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