J.S. Fields

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December 26, 2020

Review: Alice Payne Arrives by Kate Heartfield

This review is for the first book in the series. To read the review for ALICE PAYNE RIDES, click here (will post one week after this review).

Genre: science fiction (historical/time travel)

Pairings: f/f

Queer Representation: cis lesbian, cis bisexual

Warnings: none

Review

The year: 1788. A mysterious highway bandit called ‘The Holy Ghost’ haunts a small section of road, attacking scoundrel men. The woman behind the mask is Alice Payne, indebted daughter to an aging father, desperate to pay of his debts, keep her childhood home, and the interest of inventor Jane, Alice’s ‘companion’ at Fleance Hall.

The year is also 1889, where Major Prudence Zuniga, a professional time traveler and meddler, is attempting to alter the course of human history by keeping Prince Rudolph alive. Of course, to Zuniga the year is also 2145, her year, in which two groups of time traveling bodies (the ‘Farmers’ and the ‘Guides) war to ‘fix’ humanity’s past and keep its future from combusting.

During a standard robbery of one asshole Earl of Ludderworth, who enjoys pressing his advantage on serving girls, a shimmer in the air catches the Earl and flings him into the future. Determined to not let the Holy Ghost be known as a murderer, Alice (with the help of Jane) tracks down the shimmer and finds herself in 2070…and also finds Major Prudence Zuniga. Having completely fouled up both the past and the future at this point, Zuniga takes the earl and Alice back to 1788, where Alice can be used as a pawn in the time wars. This all looks good from Alice’s end–Zuniga has promised her enough money to pay off her father’s debts (thereby ensuring she can live on at Fleance Hall with Jane for the rest of their days)–but time travel never seems to work the way one expects.

Zuniga’s continued meddling leads to a cascade of history changes, each worse than the last. In the end it is only an adventurous highwayman and her inventor-lover that can save Major Zuniga, and humanity’s future. Along the way the reader is treated to steam-punk like automatons, Victorian silliness, an endearing love affair, and a host of strong, three-dimensional women.

The book is short-only 168 pages in the print version, and a quick, engaging read. Keeping track of the various dates isn’t really necessary as the voice of the characters are each distinct. The pacing is excellent for a novella, though the worldbuilding is sparse (though, again, novella). The cover art is gorgeous and for that alone the book deserves a spot on your shelf–though I think most readers would be delighted to revisit Alice Payne on reread.

Readers familiar with the US political landscape of 2016 (and who can block out the horror of 2020) will enjoy the numerous jokes about Zuniga having to go to 2016 to fix history there:

“But 2016 is completely fucked,” she says, trying to keep her voice even. “You know that. Sir. We have to go back earlier.”

I have only two quibbles with this book. The first is that the inventor, Jane, gets very few chances to shine and she is by far, to me, the most interesting character. Brought to Fleance Hall by Alice’s father, Jane is the ward of Alice’s father’s cousin (follow that??), and also the builder of Alice’s accomplice automaton for the highway robberies. She is quick to put Alice in her place, rational, and endearing, and really deserved at least a few POV sections.

“Sometimes I think you see me as a great experiment, that you say things to get satisfaction from my shock. Little Jane, poor and plain, small bubbies and a big brain. That’s what the boys used to say, to shock me. You could try it, rather than declaring your intention to disappear into some other time and place and carry out some unknowable scheme at a stranger’s behest.”

The second is that I think I’d have preferred an novel almost entirely about Alice and her highwayman tendencies. Zuniga is a fun character and time travel is always awesome, but splitting between the two meant we didn’t really get to revel in how much fun it is to attack jerks on roads with your mechanical assistant built by your secret live-in girlfriend. I mean come on. Someone write this fan fiction, I’m begging you.

Grab an automaton and a cute girl and join Alice Payne on her adventure here.

 

Filed Under: book review Tagged With: lesbian, novella, sci fi, time travel

August 23, 2018

Review: The Black Tides of Heaven by JY Yang

Genre: fantasy (silk punk) (novella)

Pairings: trans (masculine)/m

Queer Representation: transgender, nonbinary

Warnings: none

Rating: 4 stars

 

Review

(this is one of the rare times when the back of book blurb is accurate, so I’m just going to copy it below)

Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed a strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What’s more, they saw the sickness at the heart of their mother’s Protectorate.

A rebellion is growing. The Machinists discover new levers to move the world every day, while the Tensors fight to put them down and preserve the power of the state. Unwilling to continue as spawn in their mother’s twisted schemes, Akeha leaves the Tensorate behind and falls in with the rebels. But ever step Akeha takes toward the Machinists is a step away from Mokoya. Can Akeha find peace without shattering the bond they share with their twin?

 

Characterization

Nonbinary fiction written by a nonbinary author is right up my alley! This novella was short and sweet, with excellent pacing and perfect character development. The twins, in particular, are very well thought out, and their evolution from children to rebels is delightful at every turn. The mother (The Protector) is that kind of delicious evil you can salivate over–power hungry but respects a challenge ala Lionel Luther from Smallville (don’t pretend you never watched that show. It was on for ten seasons. You had to have seen it once, if only for Johnathon Glover’s hair).

The world, in particular, is very well done. The idea that children are born and raised androgynous and then must declare their gender (and then go through a medical transition to achieve it) was much more intuitive than other instances I have read, likely due to the author’s intimate familiarity with nonbinary genders. Akeha’s struggle to pick within the binary when they (later they use ‘he’) don’t have the strongest of urges to move in either direction, resonated well. The deeper look at the trans masculine experience was also fresh and authentic, and will resonate with many trans masculine and trans nonbinary readers.

Steampunk versus silk punk

While steampunk has never been a favorite genre of mine, I have to say that I’m now well hooked on silk punk. It has all the fun trappings of the steampunk genre (cool machine weapons and budding technology), but without the tired European aesthetic. While the pacing in this book was ideal, I wouldn’t have minded staying in the world a bit longer (overthrow the Protectorate!!), especially in the last thirty pages or so (OMG WHY IS THE MOM SMILING KILL HER KILL HER WITH FIRE!) when you get a bigger look at the tech and the politics at play. I’m eager to get my hands on the other book in the duology, moreso for the world than anything else (although the characters are a bonus!).

Through line

The only downside to the book was a lack of strong overarching narrative. I was happy to be along for the ride, but I was never really sure where the ride was going, or what the goals of the characters were. Not everyone needs or wants that in a book, however, and the pacing was strong enough (and the book short enough) that it wasn’t a major hurdle. It did leave me wondering in several places as to what the actual plot was, but then some cool new tech would come around, or Akeha would have a gender moment again, and I’d be right back in the story.

Lovers of steampunk and/or lovers of enby fantasy will have a great time with THE BLACK TIDES OF HEAVEN. Bonus- the author is on Twitter, active, and they are an absolute delight to follow.

You can buy THE BLACK TIDES OF HEAVEN in paperback here and ebook here.

Filed Under: book review Tagged With: fantasy, nonbinary, novella, reviews, silk punk, trans

July 7, 2018

Review: Corruption of Honor by A.M. Rycroft

Genre: fantasy (sword and sorcery) (YA) (novella)

Pairings: f/f

Queer Representation: cis lesbian

Warnings: none

Rating: 3.5 stars

 

Review

Shaun Grayson has always wanted to be a knight, and protecting Princess Sara, whom she definitely does not have a crush on, is her mission. But when the Kingdom of Riverend is sacked and Sara’s life is truly in danger, Shaun finds there’s much more to being a knight than cute girls, petty squabbles, and court intrigue.

General

Okay, I’m a sucker for knight/princess trope when it’s f/f. Give me damsels in distress being saved by other damsels any day. A number of these types of books have come out (heh) in the YA market recently, and CORRUPTION OF HONOR (hereafter CoH) fits well within them. There aren’t any real surprises in this book, and I think readers will find it comfortably familiar: the squabbling with the love interest princess, the courageous, pure of heart knight, and a set of (predictable) circumstances that throws them together.

Not every book has to be a great modern work of fiction. Sometimes its nice to have slice of life books and trope books, and CoF scratched my ‘knights and princess’ itch perfectly. The pacing was reasonable, the action scenes well done, and there was suitable chemistry between Shaun and Sara. The ending as well–a cliffhanger–left me both pleased with the book’s progress but also wanting to read more. Not bad for a 138 page novella.

In late, out early

I don’t believe I have ever said this about a book before, but I think CoH came in way too late in the story. Yes, the conventional wisdom is ‘in late, out early,’ but CoH begins in what I would consider a chapter three or four–thrusting us into Shaun’s and Sara’s conflict without any real worldbuilding or character dynamics. It’s effective as the reader is immediately part of the story, but I felt like some comfort tropes were missed. Since this is a trope book at heart, that some of the formula was skipped made me grumpy.

Where was my ‘Shaun has always wanted to be a knight but XX stands in her way?’ Where was my ‘Sara is feisty and once beat Shaun in a wooden sword duel so is both girly and able to take care of herself?” Most importantly, where is the tension of how Shaun and Sara met and how Shaun became her guard? I think there was a lot of potential in this narrative for a delicious romance, but instead the book was a very short introduction and then one hundred pages of battle. And I like battle, don’t get me wrong, but I needed more character grounding, and an info dump in the back of the book in some backmatter doesn’t help much.

Despite my grumbles however, this was a fun, short read. It lacked any serious problematic elements and could be a teen’s easy introduction into sword and sorcery fantasy. Shaun and Sara are believable protagonists, their sexuality is on-page but never an issue, and the book follows well-known and well-loved trajectories. Readers looking for a fun adventure-fluff read, as well as those who enjoyed OF FIRE AND STARS by Audrey Coulthurst, LUNAV by Jenn Polish (although this is more dark fantasy), and PORTRAITS OF A FAERIE QUEEN by Tay LaRoi, will also likely enjoy CoH.

You can buy CORRUPTION OF HONOR in paperback here and ebook here.

Filed Under: book review Tagged With: fantasy, lesbian, novella, reviews, YA

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