J.S. Fields

Author & Scientist

Review: Dalí by E. M. Hamill

Genre: science fiction (space opera)

Pairings: nonbinary/female, nonbinary/male

Queer Representation: gender fluid, third gender, trans masculine, trans feminine, agender

Warnings: violence against enbies (may be triggering for some)

Rating: five stars

 

Review

Dalí, a human, third gender changling, used to be a highly regarded diplomat. That all changed when their husband, wife, and unborn child were murdered. Adrift in suicidal thoughts, Dalí gets into one too many fights and stumbles across an interplanetary conspiracy to sell other third gender changelings to the highest bidder. Dalí agrees to help rescue their fellows, but the conspiracy is much deeper than they feared, and making it out alive isn’t exactly a high priority.

Plot

A very space opera-y space opera, Dalí gives a look at a pseudo-dystopian future in which being born nonbinary is common (that’s not the dystopian part, clearly), but factions from Earth would prefer to see people ‘go back’ to just male and female. Add in a mess of aliens and Dalí’s proclivities for sexual encounters and you get an intense book filled with intrigue, sex, betrayal, and a host of uncomfortable parallels to our modern society.

Although I found some of the scenes too brutal at times (I see and experience plenty of enby discrimination in day-to-day life, so I don’t always care for it in my books), the book was very well written and the pacing, especially in the second half, excellent. I was hooked after Dalí began to befriend a ‘pirate lord,’ and I got to see more of their personality come forward, instead of the (understandable) gut reactions we got in the first half of the book.

General

This book was recommended to me so many times that I waited to purchase a print copy, instead of getting an ARC from Ninestar (also my publisher). It was well worth the purchase and while I didn’t necessarily connect with Dalí on an enby level (we’re just different flavors of enby), the struggles they faced were all too real, and the conflicts, while set in space, were very 2018. It’s fantastic that stories like this are getting published, and that enby readers have more and more opportunities to see themselves in fiction. Much like with THE SEEDS OF DISSOLUTION, it was nice to see a variety enby types, from true gender fluid, to agender and third gender, to transmasculine and transfeminine. This representation, too, is key, in helping to educate readers that nonbinary doesn’t mean just one thing.

A solid, well-paced plot, strong writing, and a memorable main protagonist made this book a very satisfying read. Lovers of gritty books, such as TRANS LIBERTY RIOT BRIGADE, will find this book especially valuable, as will lovers of queer space opera.

You can buy Dalí in paperback here and ebook here.

 

Read the review for the sequel PEACEMAKER here.

Review: The Seeds of Dissolution by William C. Tracy

Genre: science fantasy

Pairings: m/m/f

Queer Representation: bisexual, gender fluid, nonbinary, agender, third gender

Warnings: none–but so many enbies you might have to fan yourself

Rating: five stars

 

Review

After watching his parents die in a freak storm as a child, Sam’s anxiety has kept him from leaving his house. When another inexplicable force of nature drags him out of his house, across space, and into the Nether–a place outside our universe–Sam must learn how to live with his anxiety amongst aliens while also discovering the magic that lives inside himself.

 

Plot

At it’s most basic, yes, this is a ‘white boy goes on a journey’ story. But it is so much more than that. At 400 pages, this is a high fantasy story (science fantasy, mind) with multiple POVs, a well-defined magic system (music!), and a relatable, flawed MC. The world is rich and lush, well described but never ad nauseum, the characters well rounded, and the species distinct and colorful. Tension builds steadily throughout, the ending is satisfying, and narration is easy to read. Bonus – the cover art and interior illustrations are gorgeous. I was also really pleased that Sam (our MC) does not get over his mental illness, but instead, learns coping mechanism throughout the story that help him interact more with his friends. Even at the end Sam is still gripped by his anxiety, but is able to do his part to save the day. It’s rare to find books that do not treat mental illness as something to get over, but rather, allow for it to simply be a part of a character.

 

Relationship

The main relationship is a polyamorous one, between Sam and Inas (male) and his twin sister Enos. Sam is on-page bisexual (an argument could be made for pansexual, as one line notes Sam is interested in the twins for their personalities, not their forms). He is not closeted at the start, and as his interests unfold there is no mental turmoil about being attracted to another male, or being attracted to two people at once. This was all very refreshing, and it was nice to see not only aliens being fine with canon queerness, but an actual human being okay with it, too.

 

Enbies. Enbies everywhere

I want to do a special callout to the gender representation in this book. It seems ridiculous that this is so rare in SFF, as any time you deal with new species there should never be an inherent assumption of a gender binary. And yet, SFF, especially science fiction, is rife with the strict male/female dynamic. Tracy presents species with genders of all variants, from agender, to third gender, to straight up uncategorized nonbinary, to a gender fluid main character (and no one, no one, freaking cares that they have to pronoun check every so often for this character!). None of the POV characters were outside the binary, but the world was so rich with enby characters I didn’t even mind. It felt nice, for once, to be ‘included’ in a SFF narrative without being the reason for the narrative existing, if that makes sense. Sometimes the most useful way to show your support for a group of people is to make them everyday players, and this book does just that.

 

The joy of self publishing

This book is a great example of why self-publishing can be a wonderful thing. Books like this, which walk right between science fiction and fantasy, which have a YA-aged protagonist mixed with much older POV characters, and which have a high word count (book is right at 400 pages), can be a very hard sell to agents and publishers. SEEDS is exceptionally well written, avoids the pitfalls I see with many self-pubbed books (lack of editing, unattractive cover art, lack of act structure and/or through line) and delivers a quality story. The interior art, as well, is a hallmark of Tracy’s stories and really adds the finishing touch to this novel.

 

Overall, this book should appeal to readers across science fiction and fantasy, as well as YA and adult readers. Queer readers, especially those outside the gender binary, will feel right at home in the Nether, and there is plenty of ‘standard’ fantasy fare to keep general readers interested. I’m very much looking forward to the next installment!

 

You can buy THE SEEDS OF DISSOLUTION in print here and ebook here.

 

Review: Daybreak Rising by Kiran Oliver

Genre: fantasy

Pairings: f/f

Queer Representation: trans, lesbian, nonbinary, gay, pan

Warnings: whitewashing

Rating: one star

 

Review (print version. It’s relevant, trust me)

Celosia Brennan was supposed to be a hero. After a bunch of military (?) commandos put way too much on the shoulders of a teen and she fries a town, Celosia has joined the resistance. She is part of a corp of elemental magic users (GO PLANET!) bent on taking down The Council. I don’t know what The Council is. I don’t know what it’s motivations are. Apparently it either kills elementals or tries to leash them to do its bidding, and so our ragtag band is out to take it down. Among them is a blind woman, at least two lesbians, a trans man, nonbinary people, among others. There is a reasonable smattering of black people, although two have problematic blue eyes. That’s a whole different blog post.

Diverse books hold a special place in my heart.

Diversity is not, however, enough to hold an entire story together.

Books need plot. They need character development. They need a copyeditor and a proofreader and page numbers. This book had…none of those. Typos were abundant (double periods, quotation errors, NO PAGE NUMBERS), the prose was stilted and super telly (constantly telling, then showing, then sometimes telling again, ad nauseum), and the story lacked a discernible arc or plot through line. So let’s break it down, issue by issue.

Typos and redundancy

I realize this book was self-pubbed, but that isn’t an excuse for not having an editor, copyeditor, and/or proofreader. This book also suffered from a heavy amount of word redundancy within paragraphs, which made it read very fanfic and amateurish. Fundamentals were left out as well, such as, and I’m still not over this, a lack of page numbers in the print version.

Writing style

If I hadn’t wanted to leave a thorough review for this book, I’d have DNF after the first fifteen pages or so. No clear plot emerged until about halfway through the book. The backstory of the lead character didn’t come through until about thirty or so pages in. There was no way to get character buy-in, or world placement, for the first half of the book, and that was really frustrating.

There was no multi-act structure for this book. Tension was never built, save for the Big Reveal about three-quarters of the way through (which was the only moment of true interest I had in the book). The book wasn’t even a complete arc, with it ending just before the Final Battle. The primary plot appears to be getting Celosia over her PTSD (admirable, for sure), but her whole situation is confusing. She was used by the rebels, screwed up her job because she was a kid, and now everyone holds her responsible for the screw up. I have no empathy for people who hold a child responsible for failing an adult task which again, made world buy-in next to impossible.

The author mainly told instead of showed, maybe as a way to speed up the slow pace of the book (which was achingly slow). The occasional show was always followed up by a tell, which really treated the reader as a moron. Most readers can pull intent and feelings from context and motions, we don’t need to be beaten over the head with it.

 

The White Gaze

Black people with blue eyes. Just. Don’t.

Don’t.

 

Characters

Too many POV characters for the length and type of book. This was no five hundred page epic fantasy. I don’t actually know how long it was, because it HAD NO PAGE NUMBERS, but there was barely recognizable growth in our lead POV character, Celosia. All the other POVs seemed thrown in for plot relevance, but not enough time was spent with any of them to make them real people. Even three quarters of the way through the book, new POV characters were being introduced, which was very frustrating.

 

Romance

The main romance line felt forced, rushed, and lackluster. The two characters had no chemistry, and Ianthe seemed more like a plot device than a character.

 

Queer representation

This was the one strong point of the story. The trans romance line was handled well, the gender discussions were thorough, and the lesbian romance was…well, there was a lesbian romance, so that counts for something.

 

Final thoughts

I so wanted to like this book, but I felt like it reached up and smacked me every other numberless page. The typos, the lack of tension, the poor character development, the lack of any type of formal act structure, all came together in a book that felt rushed. It felt like I was reading a draft zero of a book that had a lot of potential, but the author didn’t want to go through revisions. I was left disappointed–in the book, the characters, the flailing plot, and the typos I almost drowned in.

If you’re willing to forgive all of that to see some decent queer rep in a fantasy, you can buy Daybreak Rising in ebook here and print here.

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